The King and I
October 22, 2014 - January 4, 2015
An Evening of Royal Splendor!
Get swept off your feet all over again when East meets West in this beloved Rodgers and Hammerstein romance. The friendship that grows between the lovely tutor Mrs. Anna and the larger than life King of Siam transcends their conflicting cultures. Set against the exotic backdrop of 19th century Siam, timeless classics like “Getting to Know You,” “I Whistle A Happy Tune” and “Shall We Dance?” spring forth with unforgettable grace and splendor. Journey with us to this captivating land of music, dance and enchantment.
RICHARD RODGERS & OSCAR HAMMERSTEIN II (Music, Book and Lyrics) After long and highly distinguished careers with other collaborators, Richard Rodgers (composer, 1902-1979) and Oscar Hammerstein II (librettist/lyricist, 1895-1960) joined forces in 1943 to create the most consistently fruitful partnership in the American musical theater. Oklahoma!, the first Rodgers & Hammerstein musical, was also the first of a new genre, the musical play, blending Rodgers’ sophisticated style of musical comedy, which he had perfected in a twenty-five year partnership with lyricist Lorenz Hart, with Hammerstein’s innovations in operetta conceived in collaboration with such composers as Sigmund Romberg, Vincent Youmans, Rudolf Friml and Jerome Kern. Rodgers & Hammerstein followed Oklahoma! with Carousel (1945), Allegro (1947), South Pacific (1949), The King & I (1951), Me & Juliet (1953), Pipe Dream (1955), Flower Drum Song (1958) and The Sound of Music (1959). The team also wrote one movie musical, State Fair (1945; adapted to the stage in 1995), and one for TV, Cinderella (1957). Collectively, the Rodgers & Hammerstein musicals have earned 26 Tony Awards, 15 Academy Awards, two Pulitzer Prizes and two Grammy Awards.
NICK BOWLING (Director) was the founding Artistic Director and is now Associate Artistic Director at TimeLine Theatre. He is the recipient of five Jeff Awards for Outstanding Direction (The History Boys, Fiorello!, This Happy Breed and The Crucible at TimeLine, Another Part Of The Forest at Eclipse Theatre) and six nominations for The Normal Heart, Blood And Gifts, The Farnsworth Invention, Hauptmann and The Lion In Winter (TimeLine) and Closer Than Ever (Porchlight Music Theatre). Other recent credits include TimeLine's Juno, 33 Variations and My Kind Of Town as well as Northwestern University’s Cabaret, Porchlight Music Theatre's A Catered Affair, Writers Theatre's Bach At Leipzig and Shattered Globe Theatre's Time Of The Cuckoo. Next he will direct Sondheim On Sondheim at Porchlight Music Theatre.
TOMMY RAPLEY (Choreographer) is a proud Company Member with The House Theatre of Chicago where he has choreographed over 20 world-premiere productions including The Sparrow, Cave With Man, The Terrible Tragedy of Peter Pan, The Valentine Trilogy and Death and Harry Houdini. Directing credits for The House include: The Great and Terrible Wizard of Oz, Ellen Under Glass, All the Fame of Lofty Deeds, Hope Springs Infernal, DORIAN and their critically acclaimed productions of The Nutcracker. Other notable Chicago credits: AIDA (Drury Lane Oakbrook), Detroit (Steppenwolf), Threepenny Opera (The Hypocrites), 100 Dresses (Chicago Children's Theatre), Hedwig and the Angry Inch and Yeast Nation (American Theatre Company), Days Like Today (Writer’s Theatre), Seussical the Musical (Chicago Shakespeare Theatre), and A Christmas Carol (Goodman Theatre, 2013/14). He has worked regionally with Hartford Stage Company, Stoneham Theatre, Bradley University, Actors Theatre of Louisville, Kansas City Rep., Olney Theatre Center, St. Louis Rep., Children’s Theatre Company, The Adrienne Arsht Center and Oregon Shakespeare Festival.
RYAN T. NELSON (Music Director) is the Music Director in Residence for the School of Communication at Northwestern University where he coordinates all musical activities for the Theatre and Interpretation Center, teaches in the Music Theatre Certificate Program, and music directs and supervises several productions each year, including AMTP productions and the famed WAA-MU show. He is the Resident Music Director at Chicago’s Marriott Theatre, where he has music directed dozens of productions, including the world premieres of Hero, Now & Forever: The Music of Andrew Lloyd Webber and For the Boys. His work on A Chorus Line and The Light in the Piazza at the Marriott has been recognized with Jeff Award nominations for excellence in Chicago theatre. Most recently, Ryan conducted Stephen Sondheim’s Sunday in the Park with George at Chicago Shakespeare Theatre, which won the Joseph Jefferson Award for Best Musical (2013). He has conducted and recorded with the International Contemporary Ensemble (ICE), the Rembrandt Chamber Players, and Ensemble Dal Niente. Nelson was formerly an Assistant Professor of Music in Northwestern University’s Bienen School of Music. His Master of Music and Doctor of Musical Arts degrees in conducting are from the University of North Texas, where he was a student of Eugene Migliaro Corporon.
TERRY JAMES (Executive Producer) has been associated with the Marriott Theatre for the past 30 years. Originally from New York, as a professional actor he first appeared at the Marriott Theatre in 1982 and eventually settled in Chicago. After more than 20 years on stage, he became the resident musical director for the Marriott Theatre in the 1990's; Associate Producer in 1992; and Executive Producer in 2000. Mr. James has continued the long tradition of the Marriott Theatre launching Broadway shows into the regional market with acclaimed productions of Cats, Miss Saigon, Sunset Boulevard, Beauty and the Beast, and Les Misérables; and, in addition, continued the Marriott Theatre's long commitment to fostering new works with recent premieres of Now & Forever: The Music of Andrew Lloyd Webber (2013), HERO (2012), For the Boys (2011), The Bowery Boys (2008/09), Married Alive! (2007), All Night Strut (2006/07), Once Upon A Time In New Jersey (2006). Special gratitude and thanks to our family of subscribers for their incredible support, and for making us your Marriott Theatre!
ANDY HITE (Lead Artistic Director) began his affiliation with the Marriott Theatre as an actor in 2000. Two years later he joined the artistic team as Assistant to the Artistic Director, and is now ecstatic to hold the position of Artistic Director in this great theatre. As Artistic Director he has had the pleasure to oversee 2008’s critically acclaimed Les Misérables which won the Joseph Jefferson award for Best Musical Production. Other highlights include Footloose, Oliver, Into the Woods, Shenandoah, The Full Monty, The 25th Annual Putnam County Spelling Bee, Hairspray and Fiddler on the Roof all to audience and critical acclaim. Prior to joining the Marriott Theatre, Andy enjoyed an award winning acting career in Chicago and was fortunate to be able to work with companies such as Chicago Shakespeare Theater, Drury Lane Oakbrook Theatre, Northlight Theatre, The Auditorium Theatre and, of course, the Marriott Theatre. Mr. Hite also teaches acting and audition workshops for musical theatre. His greatest accomplishments are seven year old twins Rowan and Sylvie, and wife Sasha.
AARON THIELEN (Artistic Director) Thielen has long been an advocate for the creation of new musicals. Most recently he and Marc Robin co-created the world premiere of Now And Forever: The Music of Andrew Lloyd Webber. Aaron and Michael Mahler wrote the multiple Jeff award-winning musical HERO, which was produced this past spring at the Asolo Rep in Sarasota. Michael and Aaron are currently working on October Sky which is slated for the 2015 Marriott season. He also adapted the Twentieth century Fox Film For the Boys for the Marriott Theatre stage. He was also one of the creative forces in bringing the 2008 world premiere musical The Bowery Boys to the Marriott Theatre. He co-authored the award-winning All Night Strut, A Fascinatin’ Rhythm with Marc Robin. As Artistic Director, he most recently helmed Godspell, Cabaret, Dreamgirls, 9 To 5 and White Christmas.
THOMAS M. RYAN (Resident Scenic Designer) Some favorite Marriott Theatre designs include Les Misérables, Oliver!, Sweeney Todd, Fiddler on the Roof, Chess, 1776, Brigadoon, Hello, Dolly! (Jeff nominated), Miss Saigon, and Cats. He has taught at Moorhead State University, the Latin School of Chicago and Northwestern University. Other theatrical designs have been seen at Chicago Opera Theatre, Drury Lane Oakbrook, Northlight Theatre, Apple Tree Theatre, Northwestern University, Pegasus Players and the Fulton Theatre. Non-theatrical work has been seen locally at Navy Pier (Winter Wonderfest and Halloween), the Notebaert Nature Museum (interactive treehouse), large scale hats, caps and other wear on the Picasso in Daley Plaza and broadcast designs on The Big Ten Network and NBC 5 Chicago. A special thanks to my assistants S & C.
JESSE KLUG (Lighting Designer) returns to Marriott Theatre where he has previously designed 9 to 5, Love, Perfect, My One & Only, Dreamgirls, Hero, 42nd Street, Fiddler on the Roof, Spelling Bee, and Nunsense. Off Broadway: The Elaborate Entrance of Chad Deity (Lortel, Hewes Nomination), The Screwtape Letters (Off Broadway and National Tour), The Hunchback Variations, Romulus, and The Hourglass. Regional: Goodman Theatre, Drury Lane, Broadway in Chicago, Chicago Shakespeare, Marriott Theatre, Victory Gardens, Lookingglass Theatre, Steppenwolf Theatre Company, Asolo Rep, Court Theatre, Writers Theatre, Milwaukee Repertory, Geffen Playhouse, Virginia Stage, Fulton Theatre, Portland Center Stage, Indiana Repertory, American Theatre Company, Shakespeare Theatre Company, Northlight Theatre, First Stage Milwaukee, Timeline Theatre Company. He is a Jeff and After Dark Award recipient. jessekluglightingdesign.com
NANCY MISSIMI (Costume Designer) has been designing and building costumes in Chicago for 30+ years. She has taught at the University of Detroit and C.W. Post College, and managed the Costume Collection for Theatre Development Fund in New York. Credits include designs for Court, Royal George, Chicago Opera Theatre, Drury Lane Oakbrook and Martinique and Northwestern University. She is the recipient of numerous Joseph Jefferson nominations and awards, for Marriott's Beauty and the Beast, Cats, and Showboat to name a few. She and director-husband Dominic are pleased to share billing with daughters Emmy and Angela.
ROBERT E. GILMARTIN (Sound Designer) has been engineering and designing theater around Chicago since 2002. His engineering experience includes work with Lookingglass Theater, Marriott Theatre, Steppenwolf, and The Goodman. Design credits include Marriott Theatre's productions of The 25th Annual Putnam County Spelling Bee, The Light in the Piazza, Hairspray, My Fair Lady, Fiddler on the Roof, The Drowsy Chaperone, Once on this Island, A Chorus Line, The Music Man, Guys and Dolls, 42nd Street, Shout!, For the Boys, White Christmas, Legally Blonde, The Pirates of Penzance, Hero, Dreamgirls, My One and Only, Now and Forever, South Pacific, I Love You You’re Perfect Now Change and many Marriott Theatre for Young Audiences productions. Robert graduated from Middle Tennessee State University's school of Recording Industry Management. Thanks to Buster and Family.
SALLY WEISS (Properties Designer) This is Sally’s 21st production with the Marriott Theatre having most recently designed the properties for On The Town. In Chicago, Sally has worked as a scenic, lighting and props designer and is a proud company member of New Suit Theatre Company. Previous designs include scenic design for Alice In Wonderland here at Marriott For Young Audiences, lighting design for Much Ado About Nothing and Gruesome Playground Injuries at Rasaka Theatre Company, The Gog/Magog Project with director Brant Russell, Icarus and Striking 12 at Bohemian Theatre Ensemble and props design at Notre Dame Shakespeare and Next Theatre. She has been the Props Manager at The Weston Playhouse in Weston, Vermont and The Studio Theatre in Washington, D.C. and received her BA in Theatre from the University of Maryland at College Park. Currently Sally resides in Chicago and attended the MFA Stage Design Program at Northwestern University studying scenic and lighting design. To see examples of her work visit sallyweissdesign.com.
JILL WALMSLEY ZAGER (Dialect Coach) is happy to be back at MLT where she has coached Cabaret, Mary Poppins, The Light in the Piazza, My Fair Lady and Little Women among others. She has also worked as the dialect coach at American Conservatory Theater in San Francisco. Chicago Shakespeare Theater, Steppenwolf Theatre Company, Lyric Opera of Chicago, Drury Lane Water Tower, Apple Tree Theatre, Drury Lane Oakbrook Terrace, Utah Shakespeare Festival and Milwaukee Chamber Theatre. Jill earned her Master’s Degrees at CSSD (London) and Northwestern. She is the Resident Dialect Coach at Milwaukee Repertory Theatre.
DAVID SIEGEL (Orchestral Reductions) wrote orchestrations for Norwegian Cruisline’s The Look of Love/Burt Bacharach review. Additionally wrote the orchestrations for SeaWorld's new exhibit ANTARCTICA. Broadway credits include Newsies, Aladdin and the first revival of How To Succeed In Business…. Other recording projects include "Lights, Camera, Music" for Norwegian Cruise Lines, Radio City Christmas Show, Disney Paris, Tokyo Disney, Disney Cruise line and Oh Wondrous Night at SeaWorld Orlando. National tours include orchestrations for Cinderella, 101 Dalmatians, Little House On The Prairie and orchestral reductions for How To Succeed…and Beauty And The Beast. Orchestrations for Marriott Theatre include Now and Forever, The All Night Strut and For the Boys. Album projects include orchestrations for The Stephen Sondheim Album, Emily Skinner, The Sherman Brothers, “Unsuspecting Hearts” and Broadway Duets, The Stephen Schwartz Album and A Broadway Love Story. Orchestrations for TV & film include “The Wonder Pets”, Little Mermaid II and Music Man.
MICHAEL HENDRICKS (Production Stage Manager) has stage managed the main stage productions at Marriott Theatre for nearly 35 years. Prior to his work here, he acted at various regional theatres including the Guthrie, Chanhassen, Indiana Rep, Meadow Brook and Wisdom Bridge. Michael is married and the father of three grownup children. He is a graduate of the University of Illinois.
PETER MARSTON SULLIVAN (Artistic Associate) has worked for the Marriott Theatre for over eight years in various capacities, including his current position of artistic associate. Peter earned a B.A. in Theatre and an M.A. in Teaching at Trinity University in San Antonio, and an MFA in Directing at Illinois State University. In tandem with his work at the Marriott Theatre, Peter frequently directs in the city and is the Artistic Director of BoHo Theatre. Recent directing projects include The Pajama Game at Northwestern University; Amadeus, Kiss of the Spider Woman, Floyd Collins, Pippin, Icarus, Big River, Ghosts, I Am My Own Wife (co-Director), Playing with Fire (After Frankenstein), and M. Butterfly at BoHo Theatre.
PETER BLAIR (Producing Associate) started working with the Marriott Theatre in 2005 and currently serves at Producing Associate. In addition to his work at the Marriott Theatre, Peter is the former Executive Director of Bohemian Theatre Ensemble in Chicago, where he produced acclaimed revivals of Floyd Collins, Big River and Pippin. Other work includes Drury Lane, Porchlight Music Theatre, Bailiwick Repertory, and 18 months with the original Chicago company of "...Spelling Bee". Originally from San Diego, Peter earned a music degree from Trinity College in Hartford, Connecticut. He lives in Highland Park with his wife, Claire Warner, owner of Volume Gallery.
PATTI GARWOOD (Musical Supervisor) has been with the Marriott Theatre since 1994. Other Chicago musical directing and conducting credits include the Grant Park Orchestra featuring Dennis De Young, Catskills On Broadway at the Shubert Theatre and Oliver!, Song and Dance and Kopit and Yeston’s Phantom at the Candlelight Dinner Playhouse. Prior to making the Chicago area her home, Patti served as Resident Musical Director at the Fireside Dinner Playhouse in Fort Atkinson, WI and at the Musicana Dinner Playhouse in West Palm Beach, FL. Other regional theatre work includes La Comedia Dinner Theatre in Springboro, OH; the Capitol Theatre in Rome, NY and the Harbor House on Nantucket Island, MA.
R&H THEATRICALS (Licensor) represents the stage performance rights to over 100 musicals by more than 200 writers. These include works by Rodgers & Hammerstein (including Oklahoma!, South Pacific and The Sound of Music), Rodgers & Hart (Pal Joey, Babes In Arms), and Kern & Hammerstein (Show Boat), as well as musicals by Irving Berlin (Anny Get Your Gun, White Christmas), Andrew Lloyd Webber (CATS, The Phantom of the Opera), Adam Guettel (Floyd Collins, The Light in the Piazza), Kurt Weill (The Threepenny Opera, Lady in the Dark), such perennials as Big River, Once Upon a Mattress, and Footloose, and the longest-running revues in the history of Broadway – Smokey Joe’s Café – and Off-Broadway – I Love You, You’re Perfect, Now Change. Recently added titles include In the Heights, A Catered Affair, It’s Only Life, [title of show], Love Musik, Face the Music, Reefer Madness, Altar Boyz, Bernarda Alba, Mid-Life! The Crisis Musical, and Bright Lights, Big City. R&H Theatricals is an Imagem company: www.rnh.com.
NOREEN HERON & ASSOCIATES (Press Representative) is a full service PR, Marketing, & Advertising agency. National Tours: The Singalong Wizard of Oz and the current National Tours of C.S. Lewis’ THE Screwtape Letters and The Great Divorce. Numerous concert engagements at arena theaters representing such artists as Jerry Seinfeld, Prince, Fleetwood Mac, Wynonna Judd, Louis CK, The Beach Boys, Linda Eder, Michael Feinstein, Jewel, and Andre Rieu. Clients have also included Sesame Street Live, the ‘04/’08 Olympic Superstars, the ‘11 Champions Challenge (McEnroe, Bjorg, Agassi), Barney Live!, the Highland Games, the Apollo Chorus, and the Harlem Globetrotters. Additionally, they represent regional theaters including Drury Lane, Marriott Theatre, the Mercury Theater, Theatre at the Center. Other corporate clients include Hyatt Hotels, Massage Envy, and Fairmont Chicago.
Assistant Stage Manager: Terry Ghiotto*
Sound Engineer: James Guess
Wardrobe Supervisor: Samantha Holmes
Backstage Crew: Bob Silton
Warehouse and Properties Manager: Rob Rahn
Production Electrician: Rachel West
Resident Assistant Lighting Designer: Charlotte Rathke
Press Representative: Noreen Heron & Associates, Inc.
Kate Hughes, Lianne Wiker, Katharine Nichols, Ellen Molina,
*Member of Actors’ Equity Association
Cutter: Diane Hinman
Stitchers: Ruben Gonzalez, Alexis Kee, Carol Lenz, Erin Steilin
Administrative Assistant: Amanda Corcoran
Group Sales Supervisor: Nancy Vaughan
Box Office Manager: Barbara J. Kavanagh
Box Office Supervisors: Ron Lapin, Catherine Saghafi, William Schwartz
Box Office Attendants: Joan Kaar, Kathy Lapetina, Nicolle Nadreau,
Sharon Silvestri, Jessica Willcut
Theatre House Manager: Jeff Mason
Ushers: Barbara Adriansen, Linda Atwood, Sue Edholm,
Rikki Fine, Gus Gatsis, Diane Graham, Kathleen Hayes, Jeffrey Hensel,
Marie Hepp, Karen Hoffmann, Liz Lach, Chris Ann O’Brien,
Viola Perino, Phyllis Roseman-Blatt, Heidi Schuerstedt, Joan Strakusek, Judi Voller