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Marriott’s high energy cast delivers the dance with amazing precision and youthful energy. It will leave you breathless.

While “West Side Story” is based on William Shakespeare’s “Romeo & Juliet,” the tale of the star-crossed lovers remains a contemporary look at rival gangs that’s just as timely as the daily news reports.

But Marriott Theatre in Lincolnshire creates a dynamic new twist to this production with a fresh look and new talents who bring this story to life.

For those who haven’t seen Steven Spielberg’s award-winning recent redo of the 1961 classic movie, West Side Story takes place on the Upper West Side of Manhattan in the 1950’s.

There’s tension in the hood between the Sharks and the Jets about who controls the turf. Hate, racism and violence rears its ugly head giving way to tragedy and sorrow on both sides of the fence.

This well-loved show features the brilliant music of Leonard Bernstein with such tunes as “Somewhere,” “Tonight,” “I Feel Pretty,” and “America.”

Using the traditional choreography from Jerome Robbin’s original production, Marriott’s high energy cast delivers the dance with amazing precision and youthful energy. It will leave you breathless.

Based on the book by Tony Award-winner Arthur Laurents, music by Tony and Grammy Award-winner Leonard Bernstein and Lyrics by Tony, Grammy, Pulitzer Prize and Academy Award-winner Stephen Sondheim, West Side Story is a trifecta of creative excellence.

The production is directed by critically-acclaimed and award-winning stage veteran Victor Malana Maog who beautifully captures the passion and power of the show.

Musical direction is by Jeff Award winner Ryan T. Nelson and choreography is by Jeff Award nominee, Alex Sanchez.

Making her Marriott Theatre debut is Lauren Maria Medina who plays an exquisite “Maria.” She has the voice of an angel with pipes big enough to completely fill the stage.

Also making their debuts on the Marriott stage are Jake David Smith as “Tony” who wins our hearts and Vanessa Aurora Sierra as “Anita” who sings and dances her way into the stratosphere.

Mention must be made of Marisa Fee as “Anybodys” whose gender issues are much more realized in this production. Originally a “tomboy,” Fee appears with the rest of the girls in a ballet, wearing a gown, a strong departure from the original.

Jeffrey D. Kmiec’s set design makes great use of the in-the-round stage with realistic appearance of a fire escape and other urban settings to reflect the cold stark reality of the neighborhood.

Kudos to costume designer Amanda Vander Byl for her realistic 1950s costumes and of course, to musical supervisor Patti Garwood and her orchestra who play the haunting score to perfection.